Popular Portraits of Sheikh Ahmad Tijani - Another Little (Procrastination) Gem
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Once again I have been procrastinating for few minutes to get over a temporary writing blog and what did I find? Look, the iconography of the Sheikh Ahmad Tijani poster I have collected in Kano has been more influential in West Africa than I originally would have thought. Granted, this is again an image from Senegal, a country with a strong tradition of Sufi Islam and adaptation of imported religious prints into new media, behind glass painting, followed by the subsequent extension of this artistic practice to include a variety of other religious and profane subject matter … anyway, its related to my research so I’m excited about it! So here you go, this is what I found:
I guess, the choice of this image speaks of its ubiquity and iconic power in Senegal at least – iconic, here, in the sense of the image’s potential to symbolise not only the depicted person but also the ideas and philosophy associated with his name. Unfortunately, I have not been able to find out when the book was actually published, hence, cannot assess to which extent the image’s use here benefited from and/or contributed to the iconisation of this particular version of Sheikh Ahmad Tijani’s portrait.
By the way of reference (yes, I almost forgot that) this is where I found the image: Islam in Mijn Dagelijks Leven. And the closest I (yet) got to a date for the publication of the book is a tentative estimate I found in its entry in the Library of Congress’s website: “198-?”.
On my way back from Lagos to Maidguri I had another stop-over in Abuja and I used the day there to meet up with Hussein Akar, the owner of Signature Gallery in Abuja. He wasn’t around when I first popped by on Thursday on the way from the airport to Ella’s place but I was able to make an appointment for the next day. I was a bit nervous about meeting him because, despite the recommendation to see him by his uncle at the Signature Gallery in Lagos and Nabil’s friends, I wasn’t really quite sure whether I had enough questions for him to justify disturbing him. However, it turned out to be a really useful and interesting discussion. In fact, he was kind enough to call one Zaria graduate during our conversation to pass on one of my questions and provided me with his number and that of somebody at the Society of Nigeria Artists before I left. At the same time, his emphasis on Zaria graduates, Lagos as an important place of residence for artists from different parts of the country and also t
When I flicked through the papers this morning – online, if you must know – I came across an article in the Daily Trust that extolls the virtues Usman dan Fodio and his generation of northern Nigerian political leaders. It sets them up as good examples of leadership and argues that current President of Nigeria Muhammad Buhari should take inspiration from them to solve the current crisis of leadership in his government. Now, I don't want to get into political arguments here. I only mention this article – here, in a space that I said I'd use to organise my thoughts for my art historical writing – because it was illustrated by a photograph of a smiling elderly man. The caption underneath the photograph identifies the man in the picture as 'Shaikh Usumanu Danfodio'. Now, the founder of the Sokoto caliphate may not have been the only Sheikh named Usman (or Osman or Usumanu) in the family. However, the article makes it pretty clear that it is him that the author
I guess, the choice of this image speaks of its ubiquity and iconic power in 
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