Here's an Inside Africa (BBC) clip that highlights
the visual culture of matatus in Nairobi, Kenya, and particular the work of
Matwana Matatu Culture to highlight and document it. I've only recently
stumbled upon their blog and youtube site but, yeah, I wish I'd see the same
enthusiasm directed towards vehicle decoration in Nigeria. – Note that the
documentary speaks of the imagery on matatus as 'window into the culure,' 'art
galleries' or 'museums on wheels' and reflections of Nairobi's urban youth
cultures. Obviously, I concur.
Drive
the streets of Nairobi and you are sure to see many matatus—colorful minibuses
that transport huge numbers of people around the city. Once ramshackle affairs
held together with duct tape and wire, matatus today are name-brand vehicles
maxed out with aftermarket detailing. They can be stately black or come in
extravagant colors, sporting names, slogans, or entire tableaus, with
airbrushed portraits of everyone from Kanye West to Barack Obama, of athletes,
movie stars, or the most famous face of all: Jesus Christ. In this richly
interdisciplinary book, Kenda Mutongi explores the history of the matatu from
the 1960s to the present.
As
Mutongi shows, matatus offer a window onto many socioeconomic and political
facets of late-twentieth-century Africa. In their diversity of idiosyncratic
designs they express multiple and divergent aspects of Kenyan life—including
rapid urbanization, organized crime, entrepreneurship, social insecurity, the
transition to democracy, chaos and congestion, popular culture, and many
others—at once embodying both Kenya’s staggering social problems and the bright
promises of its future. Offering a shining model of interdisciplinary analysis,
Mutongi mixes historical, ethnographic, literary, linguistic, and economic
approaches to tell the story of the matatu as a powerful expression of the
entrepreneurial aesthetics of the postcolonial world.
The
book will be published in June 2017 but can already be pre-ordered at the
publishers and your favourite bookseller.
Paula Callus has just published a blog entry about these days’ A3 Genesis, an event organised by the Kenyan Association of Animation Artists. The event was intended to ‘offer one of the largest animation platforms in East Africa.’ She considers the event ‘was a resounding success with a full house attendance. The speakers including Dumi, from Anamazing Workshop, South Africa, Claudia Lloyd from Tiger Aspect Studios, UK/Kenya and the Know Zone Team, all provided a great flavour of current commercial and non-profit productions that are running in Kenya, and South Africa.’ So, it seems like this is an exciting time to work in and conduct research about African animation! If you happen to be interested check out Paula’s website, the programme of the workshop and the website of the Association of Animation Artists Kenya.
And Nigeria? Well, you might recall that only recently the SHOOT 2009 workshop took place in Jos. Although the event is not exclusively concerned with animation, to quote the Nigerian Tribune, ‘Animation and Sound featured at SHOOT! 2009 as core courses for the training workshop.’ – Find the complete article here. Another article has been published at Next Magazine.
And don’t forget Nigeria’s first animated feature film Lifepspan by Mighty Jot Studies. You might remember what Next Magazine wrote about it (I think I published the link on this blog):
Written and directed by Stanlee Ohikhuare, the film is titled ‘Lifespan’, and will be released in cinemas locally but will stand up to the best that is out there internationally.
A pioneer in 3D technology in Nigeria, Ohikhuare is well known for his television commercials for various companies and brand names, including Zain, Coca cola and ChickenRepublic. He had to stop two other films in other to concentrate on ‘Lifespan’, a self-funded project which has taken three years to make.
Lifespan is a compelling movie whose central theme is the scourge of malaria. In an imaginative leap, the film is set in the past, about 4,000 years ago in the ancient BeninKingdom.
A colony of mosquitoes are split, with one group wanting to remain the bloodsucking predators that nature has made; while the other group prefers to tow the line of prudence to ensure their survival by other means and be less menacing to humans. They attempt to get a magical potion for malaria, and so embark on a quest to a cave inhabited by men.
The aim is to get a dose of human blood to perform a purification ritual that will end the spread of malaria forever and lead to a peaceful co-existence with mankind. But all is not what it seems, and there are hidden agendas and selfish interests are at play.
In a trailer preview, we glimpse a movie which when released would be comparable to the best that Hollywood has to offer, including blockbusters like ‘Antz’, ‘Happy Feet’, ‘A Shark’s Tale’ and ‘Madagascar’ – all standout works in new technology driven movie making. Ohikhuare hopes giants like Walt Disney will help with the international distribution and marketing of ‘Lifespan’.
Lifespan is a Mighty Jot Animation Studios production, which involves creating animation for commercials, movies and other productions. Mighty Jot aims at pioneering the evolution of a new, dynamic and internationally viable movie cartoon in Nigeria. At this stage, the project is 67 per cent complete and is due to be completed in October and the movie due for release locally on December 15.
[…]
Lifespan is a Nigeria's first 3D animated feature film, from Nigeria. It is Low budget considering the fact that its budget stands at N293, 625, 727 whereas, other animated movies that have made headlines and remarkable proceeds at the box office had budgets as high as $75million (approximately N13, 500,000,000 (thirteen billion, five hundred million naira). The Movie has been in production since late 2005," the movie director, Stanlee Ohikhuare said.
The movie was written by Ohikhuare, who is also the director. He has solely funded the project for the last three years; including a formal launch at the prestigious Planet One Entertainment in Lagos, Nigeria. Stanlee stands for the resilience that is deep-seated within every Nigerian. This has led to an insatiable thirst for excellence and the belief that nothing is "impossible".
According to him, "Lifespan is not an attempt to become a local champion, neither is it a project for local consumption alone, "rather a project that will put us in the spotlight for global scrutiny and criticism, to enable us get better and eventually bridge the gap between us and big time production firms like Pixar and DreamWorks.
"If Lifespan is not screened worldwide, or if after its release, attention is not immediately drawn to the millions of undiscovered talents in Nigeria, then we have failed.
So hopefully, the film will live up the expectations raised here and the international animation and film industry will take note beyond the circle of ‘your usual suspects’ (i.e. Africa or Third World Cinema aficionados)!!! It’s certainly not gone completely unnoticed as is evidenced by this blog entry at The Creator’s Blog. Meanwhile check out YouTube for the official trailer, impressions of the production process and more.
And once you’re on YouTube check out the machine for more Nigerian animation (or Nollymation as I’ve read somewhere), you’ll probably find one or the other gem … and there are more of them per day! There is Mark of Uru, which is pretty well done (a bit like Kirikou) and some clips by IC Studios. Check out this one. Not sure what it reminds me of in terms of aesthetics (Disney’s Altantis?) but, by contrast, to my to untrained eye, the animation of Prominent Cease looks more like a computer game. Check out an example here. Personally, I enjoy the caricature aesthetics of clip like this one … and then there are many many animated music videos like this one .
Oh, and on private note: I’ve finished my chapter!!! Three weeks late but … its finished. For now. Until my supervisor reads and sends me back to the library or Nigeria (I’d prefer the later, lol) … But for the moment: yeah, yeah, yeah!!!