The Tate Modern's Kerryn Greenberg in Lagos

I already told you about last autumn’s symposium Curating in Africa at Tate Modern and the videos documenting the event at the Tate’s video channel. So, I naturally assume, that you will be interested in the organiser Kerryn Greenberg return visit to the Centre for Contemporary Arts in Lagos. Here’s what Next had to say about it:

With love from the Tate

By Obidike Okafor,

Next, February 19, 2011 04:09AM

United Kingdom-based South African curator, Kerryn Greenberg, held a session with members of the art community at the Centre for Contemporary Art (CCA), Yaba, Lagos on February 10. She shared her experiences and the aspirations for one of the major art institutions in Britain, the Tate Modern, where she works. Her talk, centred on plans for African artists on the continent and those in the Diaspora, was delivered to an audience comprising art collectors, students, artists and representatives of the National Gallery of Art.

Greenberg, who was in Nigeria for a two-week residency at the CCA, noted that curating is as essential as the art being displayed. Touching on the objectives of Tate Modern, she disclosed that the museum has realised the importance of expanding its African content after a decade of existence, hence its resolve to have a rich representation of contemporary and modern African art.

Curatorial past

The curator, who has a Master of Arts degree in Curatorial Studies from Bard College, New York and who joined Tate Modern in 2007, also spoke on projects she has handled in the past. They include Frédéric Bruly's ‘Bouabré'; Francis Alÿs' ‘The Story of Deception', John Baldessari's ‘Pure Beauty'; Nicholas Hlobo's ‘Uhambo' and Rothko's ‘The Late Series'.

She also gave insight into the intricacies of curating at the Tate Modern, using Francis Alys' works as an example. She noted that works by the talented artist start with an uncomplicated action either by him or others, which is thereafter documented in a range of media. Greenberg said his work explores issues affecting Latin America and border zones in areas of conflict.

While nothing that Alÿs, uses video projection and film, the curator observed that he also spreads his ideas through postcards, adding that painting and drawing are equally central to his work. Greenberg talked about some of the artist's video installations including ‘Tornado'; ‘The Green Line' and ‘When Faith Moves Mountains'. She disclosed that it was difficult to get the right equipment to screen ‘Tornado' at the Tate Modern because it was shot in high resolution.

Life at the Tate

Taking the audience through the different levels at the UK museum, Greenberg disclosed how each floor affects the artist's showing. "Level Four is for more established artists, while Level Two, Level Three and Level Five are for smaller groups. Emerging international artists are shown on Level Two," she said.

Greenberg whose first African curatorial project was South Africa's Nicholas Hlobo's ‘Uhambo' held on Level Two of the Tate Modern, further disclosed that the exhibition is the first of many that will involve Africans on the continent and in the Diaspora. Tate Modern, she added, will build relationships and show more works from Africa in the near future.

Greenberg also disclosed that she had earlier organised a symposium for African curators including Bisi Silva of the CCA. "I have been having conversations with artists in Lagos. I am always glad to collaborate with my colleagues from the continent," she said.

During the interaction, Bisi Silva wondered what relevant government organisations were doing to support collaborations between Nigerian artists and international organisations. Eze Obizue of the Education and Research Department of the NGA, responded that artists have benefited, as they had been part of Art Expos held in Las Vegas and New York; the Dak'Art biennale in Dakar, Senegal; Lagos International Art Expo and the African Regional Summit on Visual Art (ARESUVA), held in Abuja.

Advising young artists who want to be recognised internationally, Greenberg said, "Artists need to be ambitious, they are not ambitious. When they develop their works, they can find themselves. Apply for residencies, discover possibilities, and keep on trying if you want to grow internationally."

Video Recording of 'Curating in Africa' (21 October 2010, Tate Modern, London)

I just received the news that the video recordings of October 2010’s symposium Curating in Africa at Tate Modern are now available at the institution’s video channel (four parts). Enjoy.

On a different note, this video of Christopher Ofili may be of interest to some of you.

Worldwide Search For The Fifth Curator

Worldwide Search For The Fifth Curator

^{British Council International Curatorial Competition in Partnership With The WhiteChapel Gallery}

^{What is the Fifth Curator Competition?}

^{The Fifth Curator competition is a new and unique opportunity for an aspiring curator from outside the UK to select an exhibition from the British Council Collection, which includes over 8500 key works of British art from the 20th and 21st century.}

^{Applicants are invited to research the collection via our website www.britishcouncil.org/collection and then to submit an exhibition proposal exclusively featuring collection works. We particularly encourage new views and fresh perspectives on the collection as these are vital to ongoing debates about British art within an international context.}

^{The winning proposal will be realised as the final instalment in a series of five British Council collection exhibitions at the Whitechapel Gallery, London, the century-old institution which is the artists gallery for everyone. The exhibition will run from 27 March to 6 June 2010.}

^{The first exhibition in this series Passports - Great Early Buys from the British Council Collection was selected by Artist Michael Craig-Martin and focussed on some of the most prescient acquisitions in the Collections long history.}

^{Selection of works for this exhibition barely scratches the surface of the Collection. For every work I felt able to include there were half a dozen I had to leave out. This is a collection that contains hidden treasures, many of which I know will be included in subsequent exhibitions of this series.(Michael Craig-Martin).}

^{Other exhibitions in the series will be selected by Tim Marlow (Broadcaster, Cultural Historian and Director of Exhibitions at White Cube), Paula Rego (Artist) and Jeremy Deller and Alan Kane (Artists).}

^{The winning curator will be given unlimited access to the Collection, will work side by side with the British Council Visual Arts Department in London and will be supported in realising a major curatorial opportunity at the newly expanded Whitechapel Gallery.}

^{Who are we looking for?}

^{We are looking for someone who is based permanently outside the UK and who believes they have the passion and knowledge to be a leading curator. Preference will be given to individuals who would benefit most from the professional development and mentoring aspects of this award.}

^{It is anticipated that the winning curator will have some proven experience in the contemporary arts field, but does not regularly have the opportunity to curate exhibitions of their choice within their professional capacity.}

^{Candidates must be competent in both written and spoken English (I.E.L.T.S Level 6 English Language or equivalent). All applications must be submitted in English.}

^{The Selection Process}

^{In November 2009, six short-listed applicants will be invited to London to take part in a week of professional development with the Visual Arts Department of the British Council.}

^{During this week, applicants will be encouraged to refine their proposals with the advice, guidance and resources of Visual Arts staff. They will be given the opportunity to visit the Whitechapel gallery, to view the proposed exhibition space and to meet with the Whitechapel curatorial team.}

^{At the end of the week, the winning proposal will be selected by a panel of senior art world figures and announced at a special presentation dinner.}

^{Further Details and Links}

^{All enquiries regarding The 5th Curator should be directed to emma.williams@britishcouncil.org}

^{For full details and to download the application pack, please visit www.britishcouncil.org/collection}

^{Deadline for proposals 4th September 2009}

^{Further information about the British Council, the Art Collection and the Whitechapel Gallery can be found at the links below:}

^{www.britishcouncil.org}

^{www.whitechapelgallery.org}