Posts

Showing posts with the label Call for Applications

CFA: Cambridge/Africa Collaborative Research Programme

I should have published this earlier but I’m currently still catching up with things on the ground here in London, sorry …

Cambridge/Africa Collaborative Research Programme

With support from the Leverhulme Trust and the Issac Newton Trust, we now have a programme of academic and intellectual exchange that will establish longer-term partnerships between Cambridge and particular African universities. A group of five Africa-based scholars, chosen out of a competition organized around a particular theme, will come to Cambridge for six months of research. A Cambridge lecturer pursuing research on the yearly theme will coordinate the programme. At the conclusion of the Visiting Fellows' tenure in Cambridge, the lecturer involved in the previous year's activities will go to the African university with which we have partnered to convene a conference. The five African hVisiting Fellows will also attend. During the following year an edited volume would be produced, published on the Centre of African Studies' book series and co-published by a press run by the partner African university.

Africa-based scholars are invited to apply for the 2012-2013 fellowship programme, which will be centred on the theme of 'Art and Museums in Africa'.

An application package can be downloaded here.

Art and Museums in Africa

African art has long been globally famous but has also been controversial both intellectually and politically. Most obviously, the scramble for African art engaged in by western museums and art collectors has been condemned as an appropriation, as has the borrowing of forms and motifs derived from African arts by European modernist artists. Within disciplines such as art history and anthropology, there has been much argument about appropriate methods and concepts for the study of African art traditions. In the epoch of decolonization efforts were made to establish new museums in African states, relevant to local aspirations and new national cultures. Over the same period efforts have been made to revive customary art practices, and to create new craft industries, sometimes in the context of post-conflict and AIDS-prevention community projects. Over the last 50 years modernist and contemporary arts have also emerged and have gained increasing international recognition, while typically lacking secure financial or institutional support within African states.

This theme aims to support a wide range of interests in historical and contemporary arts in Africa and in changing practices in local and national museums and art institutions.

Visiting Fellows for 2010-2011

The five Visiting Fellows for the academic year 2010-2011 are:

Dr Tunde AWOSANMI of University of Ibadan, Nigeria

Dr Eiman EL-NOUR of Al-Ahfad University for Women, Omdurman, Sudan

Dr Oyeniyi OKUNOYE of Obafemi Awolowo University, Nigeria

Dr Kenneth SIMALA of Masinde Muliro University, Kenya

Dr James TSAAIOR of Pan-African University, Lagos, Nigeria

These five scholars spent time in Cambridge, pursuing research on the theme 'Myth and Modernity in African Literature. In August 2011 the Centre in collaboration with the School of Media and Communication, Pan-African University, Lagos will convene a conference at the Pan-African University.

For information about the conference and the call for papers 'click' here

Research Horizons Conversations across continents.

Each year, academic dialogue is enriched at the Centre of African Studies by the arrival of a group of African scholars who spend up to six months researching and working together.

To read more click here

Workshop ON INDEPENDENCE AND THE AMBIVALENCE OF PROMISE at the CCA, Lagos

An interesting call for applications arrived in my inbox today via Bisi Silva of the Centre for Contemporary Art in Lagos. Here it is:

ON INDEPENDENCE AND THE AMBIVALENCE OF PROMISE

About the Program

Centre for Contemporary Art, Lagos in fulfilment of its objectives, has over the past two years presented an innovative programme of exhibitions, talks, seminars, workshops and events reaching out to a local, African and global audiences.

We are pleased to present the 2010 programme, On Independence and The Ambivalence of Promise. We start this landmark year for Nigeria and the African continent with an ambitious and innovative art photography workshop focusing not so much on technique but on methodology, critical thinking, and conceptual ideas and their implementation.

On Independence and the Ambivalence of Promise celebrates in 2010 the World Cup coming to Africa for the first time, African Cup of Nations and most importantly the 50th anniversary of independence from colonial rule of seventeen African countries including Nigeria. The intellectual underpinning of the project questions the narrow framework of postcolonial critical thinking and ideas, and considers dreams, realities and possibilities for full independence that have engaged people and communities across languages, cultures and regions - focusing on the concerns of gender, religion, nation building processes and aesthetics in theory and art. Working through guilt, self-analysis and rethinking the artificial correlation between nation states, the project suggests a new in depth approach reflecting on social concerns and questioning ones relationship to the larger totality.

Who can participate?

This workshop is open to artists in Nigeria and around Africa with visible commitment to their professional artistic practice and media. They can be working in any media - painting, sculpture, textile, ceramics, photography, video and new media, performance art, writing, theatre and dance.

Workshop Timeline

The workshop will be an intensive 30-day programme facilitated by experienced local and international artists, critics, and curators.

• From February 8th to March 6th, 2010.

• Workshop sessions will commence daily at 9.00am and end at 6.00pm

Participants must be available for the full 30 days. Absence for more than 3 days will result in the loss of participation and non-refundable fee

Workshop facilitators include some of the most experienced international artists and curators:

• Phillipe Pirotte (Belgium/Switzerland)

• Heta Kuchka (Finland)

• Giovanni Carmini (Switzerland)

• Simon Njami (Cameroon)

• Gabriella Salgado (Argentina/UK)

• Tam Fiofori (Nigeria)

• Daniella Wennberg (Norway)

• Miriam Backstrom (Sweden)

• Jide Adeniyi Jones (Nigeria)

• Rosangela Renno (Brazil)

• Senam Okudzeto (Ghana)

• Mats Stjernstedt (Sweden)

• Carrie Schneider (USA)

• Elina Brotherus (Finland)

• Akinbode Akinbiyi (Nigeria/Germany)

Project conceived and developed by Centre for Contemporary Art, Lagos

Project curators: Aura Seikkula and Bisi Silva

Project Co-ordinator: Antawan I. Byrd

For more information please contact Antawan Byrd antawan@ccalagos.org

Tel 234 702 836 7106

News from Kano & Babylon International

Some interesting news from the Goethe Institut Liaison Office in Kano:

D’Beat Africa Art & Entertainment

In today's newsletter we want to draw your attention to a project of a group of young ambitious web designers based in Kano, Nigeria: d’Beat Africa Art & Entertainment provides a web platform where talented gems of African art can showcase their talent online, it's platform promotes upcoming art, artists, models, designers, and any other form of entertainment.

Check http://dbeatafrica.com/goethe-institut/article/intro.html and you will find also a lot of information about ongoing projects of the Kano Liaison Office of Goethe-Institut Nigeria.
Watch a short film produced by young filmmakers of Northern Nigeria at a workshop conducted by German film director Till Passow at Kano Liaison Office in August 2009: "9ja Power. The Power of Nigeria".

Go to http://dbeatafrica.com/home.html

Also, BABYLON, a European programme set up to provide a forum for European ‘minority’ film makers to ‘speak to each other and to the widest international audience, providing access and inclusion’ is extending its scope to West Africa:

EUROPE MEETS AFRICA: Babylon International launches its 2010 programme with a major new initiative linking filmmakers across continents.

In a major new initiative funded by the European Union’s MEDIA International and the Nigerian Film Corporation, European filmmakers will have the opportunity to work together with African colleagues on script and story development, production technique, and access to the international marketplace via BABYLON’s network of industry consultants, funders, international sales agents and distributors.

Workshops based in the Netherlands and Nigeria will develop fourteen selected projects from outline or first draft phase, seven each from West Africa and from Europe. The selected producers and writer-directors will meet on both continents to compare working notes, to share creative aims through the development of their projects and to expand their industrial networks across two continents.

Building on the successful model established over its first three years, BABYLON will retain and expand its European workshops while adding a crucial new phase in West Africa.

The first workshop will be held in Europe during the International Film Festival Rotterdam (Jan 30th-February 4th); the second in Africa at the Nigerian Film Institute in Jos culminating with a presentation during the Zuma film festival in Abuja (April 27th - May 5th).

Developing its founding purpose of uniting filmmakers of Europe's diasporic minorities in the search for new voices and new markets, BABYLON invites all interested European filmmakers to spearhead a new European approach to other audiovisual cultures by forging film communities with their colleagues in West Africa, who are cordially invited to share their talent and experience with the film industries of Europe.

All European and West African filmmakers with a proven interest in working cross-continentally are invited to submit their proposed projects to BABYLON by Friday November 27th 2009.

Call for Projects

· Applications must be submitted electronically and by post by November 27th 2009

· A reading committee will study the submitted material and recommend a shortlist

· The shortlist will be debated by the active co-producers

· Fourteen projects will be selected, each to be represented by a producer/writer-director duo

· The successful fourteen projects will be notified by December 18th 2009 (with four standby places retained for confirmation by January 8th)

· Preparatory workshops for European candidates will be announced shortly

· Two places will be reserved for professional observers without project wishing to accompany the workshop (eg distributor/script editor/film administrator etc)

· The charge per individual participant will be Euros 500

· All tuition fees and materials are included in the cost

· Hotel accommodation, breakfast and lunch are included on workshop days, plus certain dinners by invitation

· Participants are responsible for booking and paying for their own flight/rail transport and for local transport costs. Scholarships towards the cost of flights are available on request.

Junior Research Fellowships @ Oxford

As I’m having the question of what to do after the PhD at the back of my mind, here one option I’ve just stumbled across and thought one or the other of you might be interested to apply.

Junior Research Fellowships

Christ Church, Merton College and St John's College Oxford

The Governing Bodies of the three colleges propose to elect in co-operation up to thirteen Junior Research Fellows, in Arts and Science, according to an agreed allocation of subjects between the colleges. The current salary is £20,834. The fellowships are open to men and women and are tenable from 1st October 2010.

Research Fellows are expected to undertake original research in some branch of arts, science or education. They may, with the permission of the appropriate Governing Body, undertake a limited amount of teaching. Depending upon their field of study, successful candidates will be based primarily at Christ Church, Merton or St John’s College.

The fellowships are normally awarded to those who are approaching the end of their doctoral research or who have begun postdoctoral study. The successful candidate must have a good Honours degree (either First or 2:1), or an equivalent qualification. They must also have research expertise in their chosen field as demonstrated by a completed doctoral thesis and/or published or forthcoming books, or articles in refereed journals, as relevant to the candidate’s field; or promise of such achievement, as relevant to the candidate’s field.

Application Forms and Further Particulars (including details of the allocation of subjects) are available. The closing date for applications is 12 noon on Friday 11th December 2009.

The colleges concerned are committed to conducting themselves as equal opportunities employers (details can be found in the further particulars).

Here the list of the available subjects for which applications are invited. I’ve marked those readers of this blog would most likely be interested:

List A Christ Church College: Modern History, Chemistry, Archaeology, Engineering, Music, Biology, Geography, Anthropology

List B Merton College: Philosophy, Physics, Politics, Computer Science, Economics, Biochemistry, Literae Humaniores, Materials Science, Theology, Geology, Oriental Studies

List C St John’s College: English, Mathematics, Modern Languages, Physiology & Medicine, Art History, Psychology, Law, Sociology

If you choose to apply: Good luck!