The Art of Translation: The Simon Ottenberg Gift of Modern and Contemporary Nigerian Art
The New York Times has recently published a review of an exhibition held at the
Newark Museum that showcases the work of contemporary Nigerian artists from
the collection of Simon Ottenberg.
They write:
Newark
has one of the country’s oldest collections of art from Africa. And it has the
greatest collection of Tibetan art in the world, complete with an altar
dedicated by the Dalai Lama.
Little
wonder that when Simon Ottenberg, an emeritus professor of anthropology at the
University of Washington in Seattle, was considering where to place his
lifetime collection of 20th-century African work, Newark, so welcoming of the
not-obvious, was his choice. Last year he donated 145 pieces, mostly works on
paper. Two-dozen of these make up “The Art of
Translation: The Simon Ottenberg Gift of Modern and Contemporary Nigerian Art,”
a show modest in size but heavy with history, a history that no New York museum
tells.
[…]
In
that history [modern and contemporary African art] he has great subject: deep,
vivacious, volatile and happening, here and in Africa, and around the world,
right now.
You
would barely get a hint of that from our big New York museums. So it comes down
to this: to see the world, really see it, you have to travel. The Newark Museum
is about a half-hour from Midtown by the PATH train, then a short cab ride or
walk. Just go.
“The Art of
Translation: The Simon Ottenberg Gift of Modern and Contemporary Nigerian Art”
runs through Nov. 3 at the Newark Museum, 49 Washington Street; (973) 596-6550,
newarkmuseum.org.
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