Interview with Yushaa Abdullah, Arabic Calligrapher, Zaria, Nigeria
There
I was proclaiming how much I liked Ibrahim El Salahi’s incorporation of Arabic
calligraphy in his works of art yesterday – and here comes an interview with an
Arabic calligrapher in Nigeria, based at ABU in Zaria
Saturday, 14 September 2013 05:00 Written
by Misbahu Bashir & Mustapha Bulama, Kaduna
It started with a child’s great love
for drawing, then the inspiration that led to the passion to become an
outstanding Calligrapher under the tutorship of a master. Yushaa Abdullahi,
a staff of Department of Industrial Design, ABU Zaria, unveils his journey in
becoming the only Arabic calligrapher in Nigeria. Excerpts
Weekly Trust: Tell us about yourself
Yushaa: I am Yushaa Abdullah, born in 1968 in
Bauchi, attended Shekal Primary School and Government Comprehensive Day
Secondary School all in Bauchi. I proceeded to the IRCICA Istanbul Turkey,
where I was trained by the world’s number one master of calligraphy, Hattat
Hasan Celebi, and I obtained my IJAZAT (International Higher Diploma) in
Islamic Calligraphy of double category which avail for my title as HATTAT
(Eminent Calligrapher). I attended, participated, and organized several
exhibitions, seminars and workshops both at home and abroad. Presently I am a
staff of the Ahmadu Bello University, Zaria with the Department of Industrial
Design. I am also an IRCICA’s representative in African.
When did you start calligraphy?
Honestly, it will be difficult for me
to remember exactly when. I loved drawing even as a little kid. I started
drawing before I even started primary school. Allah Has blessed me with
beautiful hand writing; right from my childhood, people appreciated my hand
writings in Arabic and Latin letters as well as my drawings even as a pupil.
From the encouragement I got from my community, I was then inspired to start
copying from the works of famous calligraphers of the Muslim world. I
subsequently started my own personal calligraphy composition.
What sort of calligraphy do you do?
I am well known with Islamic
calligraphy, but I also practice Latin letters calligraphy.
What motivated you to go into
calligraphy?
First, I have the belief that it is
destiny. As the saying goes, if you are to die by the gun you would never die
by the arrow. During my senior secondary education, I was advised to take
science subjects, which I also did well, because I was among the best three
science students who represented Bauchi State at the National Science Competition
in the late 80s. But upon my graduation, I followed my stars and eventually
became an artist. So it is my destiny. Second, I saw the fortune in
calligraphy, because it requires little effort to make lots of money. Another
benefit I derived from calligraphy is the popularity it gave me among my peers.
These are a few among the reasons that motivated me into calligraphy.
Did you acquire any formal training?
Yes, I obtained my IJAZAT after I
underwent five years of training program at the IRCICA Istanbul, Turkey. Here
let me say with pride that I made this country, Nigeria, proud for being the
first black person that obtained IJAZAT from Hattat Hasan Celebi and got
certified by IRCICA. Secondl, I am the only Calligrapher to have produced
Calligraphy composition that visually relates to migration and therefore
qualified in participating in an International Art Exhibition organized by the
International Organization for Migration (IOM), Istanbul, in 2012. Third, my
signature was selected among the signatures of the World’s Famous Calligraphers
in History by the University of the Punjab, Pakistan. But the irony about this
is that my country does not know that I made her proud, thus my inability to
obtain scholarship or financial assistance even from my state government.
Tell us about the new ABU logo you
designed?
The idea was conceived during the
second year of my training. I observed some anomalies in the logo; the
characters had not met with the international standards of the script. Also,
the sitting arrangement was not done in accordance with the rule governing
Arabic calligraphy composition. The old composition read “JA BELLO MI’ATU
AHMADU instead of “JAMI’ATU AHMADU BELLO.” While wondering how to contact the
ABU management about the error, luck came my way in 2012 during the
university’s 50th anniversary, the management decided to attach a motto to the
logo, that was when I was contacted through the H.O.D Industrial Design. I then
came up with a proposal for re-designing the entire logo to meet up
international standard and the idea was unanimously accepted and adopted by the
university.
Do you do calligraphy as a hobby?
Yes, it was a hobby, but now it is a
profession.
What are the job opportunities for
Islamic calligraphy?
The opportunities are many; for
example, the Holy Mosques of Mekkah and Medinah were decorated beautifully by
calligraphers. Therefore they have work to do in mosques, corporate and
residential buildings, greeting and invitation cards, wedding gifts, logo
designs, banners, to mention but a few. Calligraphers always have something
doing unless they feel otherwise. And most importantly, if you are a certified
calligrapher you will be serving not only your country but the whole world.
What are the requirements before
learning calligraphy?
Here I will give concern to the person
who wishes to learn the art of calligraphy, not the tools that are required for
calligraphic works. Any person who wishes to become a calligrapher must be an
artist with the zeal, commitment and determination to withstand the challenges
and rigors of the training, because it is time-consuming and practically
difficult from the beginning. Therefore any person who has these qualities and
courage would have the chance of becoming a calligrapher. Interestingly, now that
I am the IRCICA’s representative here, it would be easier for
Nigerians.
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