Once again I have been procrastinating for few minutes to get over a temporary writing blog and what did I find? Look, the iconography of the Sheikh Ahmad Tijani poster I have collected in Kano has been more influential in West Africa than I originally would have thought. Granted, this is again an image from Senegal, a country with a strong tradition of Sufi Islam and adaptation of imported religious prints into new media, behind glass painting, followed by the subsequent extension of this artistic practice to include a variety of other religious and profane subject matter … anyway, its related to my research so I’m excited about it! So here you go, this is what I found: I guess, the choice of this image speaks of its ubiquity and iconic power in Senegal at least – iconic, here, in the sense of the image’s potential to symbolise not only the depicted person but also the ideas and philosophy associated with his name. Unfortunately, I have not been able to find out when the boo
Soyinka criticised the series: http://www.guardian.co.uk/media/2010/apr/28/soyinka-bbc-lagos-documentaries-criticism?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+theguardian%2Fbooks%2Frss+(Books)
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