Workshop ON INDEPENDENCE AND THE AMBIVALENCE OF PROMISE at the CCA, Lagos

An interesting call for applications arrived in my inbox today via Bisi Silva of the Centre for Contemporary Art in Lagos. Here it is:

ON INDEPENDENCE AND THE AMBIVALENCE OF PROMISE

About the Program

Centre for Contemporary Art, Lagos in fulfilment of its objectives, has over the past two years presented an innovative programme of exhibitions, talks, seminars, workshops and events reaching out to a local, African and global audiences.

We are pleased to present the 2010 programme, On Independence and The Ambivalence of Promise. We start this landmark year for Nigeria and the African continent with an ambitious and innovative art photography workshop focusing not so much on technique but on methodology, critical thinking, and conceptual ideas and their implementation.

On Independence and the Ambivalence of Promise celebrates in 2010 the World Cup coming to Africa for the first time, African Cup of Nations and most importantly the 50th anniversary of independence from colonial rule of seventeen African countries including Nigeria. The intellectual underpinning of the project questions the narrow framework of postcolonial critical thinking and ideas, and considers dreams, realities and possibilities for full independence that have engaged people and communities across languages, cultures and regions - focusing on the concerns of gender, religion, nation building processes and aesthetics in theory and art. Working through guilt, self-analysis and rethinking the artificial correlation between nation states, the project suggests a new in depth approach reflecting on social concerns and questioning ones relationship to the larger totality.

Who can participate?

This workshop is open to artists in Nigeria and around Africa with visible commitment to their professional artistic practice and media. They can be working in any media - painting, sculpture, textile, ceramics, photography, video and new media, performance art, writing, theatre and dance.

Workshop Timeline

The workshop will be an intensive 30-day programme facilitated by experienced local and international artists, critics, and curators.

• From February 8th to March 6th, 2010.

• Workshop sessions will commence daily at 9.00am and end at 6.00pm

Participants must be available for the full 30 days. Absence for more than 3 days will result in the loss of participation and non-refundable fee

Workshop facilitators include some of the most experienced international artists and curators:

• Phillipe Pirotte (Belgium/Switzerland)

• Heta Kuchka (Finland)

• Giovanni Carmini (Switzerland)

• Simon Njami (Cameroon)

• Gabriella Salgado (Argentina/UK)

• Tam Fiofori (Nigeria)

• Daniella Wennberg (Norway)

• Miriam Backstrom (Sweden)

• Jide Adeniyi Jones (Nigeria)

• Rosangela Renno (Brazil)

• Senam Okudzeto (Ghana)

• Mats Stjernstedt (Sweden)

• Carrie Schneider (USA)

• Elina Brotherus (Finland)

• Akinbode Akinbiyi (Nigeria/Germany)

Project conceived and developed by Centre for Contemporary Art, Lagos

Project curators: Aura Seikkula and Bisi Silva

Project Co-ordinator: Antawan I. Byrd

For more information please contact Antawan Byrd antawan@ccalagos.org

Tel 234 702 836 7106

Call for Papers: Globalising Beauty - Aesthetics in the 20th Century

Anybody out there doing research into these crazy discourses that make beautiful Nigerian ladies bleach and eventually destroy their skin just to make it look more like mine while stupid me burns her own in order to get a few shades darker? That’s your forum, I guess! Or how about discourses about beauty in Nigerian film, Nollywood as well as the Hausa video industry? Or representations of physical beauty on those posters advertising the latest fashion styles …

Globalising Beauty: Aesthetics in the 20th Century

October 14 - 16, 2010

Conference at the GHI

Conveners: Hartmut Berghoff (GHI Washington) and Thomas Kühne (Clark Univeristy)

Conferences are not public. If you are interested in participating, please contact the GHI convener.

Call for Papers

Beauty matters. That it matters more and more in modern societies can easily be measured in the amount of money people spend on cosmetic surgeries, on fashion, on cosmetics, on looking at beautiful stars, and, since the 1990s in particular, in the number of scholarly articles and books analyzing exactly this phenomenon. Challenging the myth of eternal, unchanging, and cross-cultural beauty ideals, this conference inquires into the rise of powerful and yet ambiguous discourses on and practices of body aesthetics in the 20th century; it explores the interaction of hegemonic and non-hegemonic discourses on body aesthetics; and it tracks the impact of globalization and commodification on the struggle for beauty.

What is considered beautiful depends on time and space, that is, on cultural and social settings. Beauty is linked to other categories of difference-the good, the strong, the wealthy, the healthy people. Beauty is highly gendered, closely affiliated with racial hierarchies, and has always been a tool of social distinction. Owning beauty and accessing beautiful things are privileges. As with consumerism in general, the acquisition of beauty relies on and reinforces preexisting social hierarchies. At the same time, the modern discourse on beauty is embedded in ideas-one may say, illusions-of social advancement. Beauty defines identity, and it causes controversy.

What is called beauty may refer to different ideologies and to different techniques of perceiving and defining ‘reality.' As Toni Morrison says in The Bluest Eye, black girl Pecola, who wishes nothing more than to have blue eyes, "would never know her beauty. She would see only what there was to see: the eyes of other people." Morrison calls the Western obsession with beauty-and she refers to a particular idea of beauty-one of "the most destructive ideas in the history of human thought." The conference will shed light on how non-hegemonic groups responded to the rise of the dominant Western beauty ideal. In doing so, it will investigate the means, paths, and limits of the transnational exchange and export of cultural norms and practices.

This interdisciplinary conference will put 20th-century discourses on beauty and corresponding practices into the context of racial ideologies, national identities, commercial strategies, and the rising consumer society. It will trace the processes of homogenization and diversification in the perception of beauty as well as the way media and corporations dealt with them. It will focus on the interplay between corporate strategies and consumers' preferences, between marketing and customers' receptiveness or rejection, between economic imperatives and sociocultural norms, between ideological concepts and the whims of fashion in the course of the 20th century.

The conference agenda includes four sections:

1. EXPLAINING BEAUTY: Covering ethical, psychological, medical, sociological, economic, and political discourses, this section will discuss why and how beauty matters.

2. SELLING BEAUTY: This part will deal with producers and sellers of beauty products around the globe. How big was the market? Who dominated it? Which methods were applied to overcome diversity and to export products across national and cultural barriers?

3. CONSUMING BEAUTY: This section will explore the significance of beauty for advanced and developing consumer societies and analyzes practices of consumers, as well as their interaction with expert advice, role models, ads, media, etc.

4. CONTESTING BEAUTY: The focus of this part is social, cultural, and economic conflicts about beauty and their association with factors of race, ethnicity, religious orientation, gender, age, ideology.

The organizers invite proposals on all related aspects from both young and established scholars, from all disciplines in the humanities and the social and behavioral sciences, and from all countries around the world.

The costs of travel (economy airfare), accommodation, and meals will be covered for applicants whose papers are accepted.

Interested applicants should submit for consideration 1) name, address, email and telephone number; 2) the title and an abstract of the proposed paper (a maximum of 250 words in English); 3) a curriculum vitae.

The application deadline is March 15, 2010.

Please submit materials via email to both

· Hartmut Berghoff, Professor of Economic History, Director, German Historical Institute, Washington, DC, Ms. Baerbel Thomas

Thomas Kühne, Professor of History, Strassler Family Chair in the Study of Holocaust History, Clark University, Worcester, MA

Concerned Africa Scholar's Bulletin - Call for Papers

That’s a bit off topic but maybe of interest to somebody out there:

The Concerned Africa Scholars Bulletin is currently compiling papers, interventions and reviews for a special issue on the post-9/11 US securitization of the Sahara-Sahel region of West Africa.

We are seeking contributions that will elucidate and dissect the various logics and effects of the increased US military presence in the countries of Mauritania, Mali, Niger, Algeria and Morocco. Contributions other
countries in the region — e.g., Nigeria, Chad, Burkina Faso, Senegal, Tunisia, Libya — will also be warmly welcome.

We will accept contributions from any disciplinary background, as well as non-affiliated or independent scholars, researchers and critics.

Full length paper (10,000 words, including notes and bibliography)
Intervention (up to 6,000 words)
Book or other media review (up to 3,000 words)

Please send proposals to Jacob Mundy (jam214@ex.ac.uk) by 4 January 2010. Successful proposals will be notified by the end of that week.

Contributions will be due 1 February 2010.

Via Bisi Silva on Facebook … just in case you happen to be on Lagos: